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New Orleans, Louisiana, United States
Admire John McPhee, Bill Bryson, David Remnick, Thomas Merton, Richard Rohr and James Martin (and most open and curious minds)

30.8.06


It's that time to watch the splendid tennis event that commences in the heat of Summer and ends in the first cool breezes of Autumn. This year we honor Billie Jean King by naming the Tennis Center for her and we hope that Andre Agassi enjoys a success or two in his last tournement. He has given us some magnificent memories.

EGALITARIANISM

This is a splendid review. It examines notions of Americanism from a Europeon perspective.

http://tls.timesonline.co.uk/article/0,,25346-2334832,00.html


Claus Offe’s return to the sociological classics is a reminder of how complicated the concept of equality is. Egalitarians today tend to think of it in distributional terms. The classics saw it as a matter of rights and liberty, and warned against reducing the great idea of equality to a quest for goods. Their challenge, translated to present day conditions, is this: are propenents of the European social model obsessed with little inequalities at the cost of ignoring the big ones? As an egalitarian, I am uneasy about not being able to dismiss that question.The European social model needs to be challenged more than protected. The way to do that is not for Europeans to turn inwards, but to take their model to the world and submit it to competitive testing. There is more to see in America than a threatening world power; there is also a social model that continues to put trust in voluntarism, and with much success – look again to the American universities. It is a good idea for us in Europe to maintain a healthy curiosity about the peculiarities of American social life.

A GOD SPOT

Nuns prove God is not figment of the mind

By Roger Highfield

The idea that there a "God spot" in the brain, a circuit of nerves which could explain mankind's almost universal belief in a deity, is questioned today by a study of Carmelite nuns.
Scientists have been in the pursuit of the brain processes underlying the Unio Mystica - the Christian notion of mystical union with God - and this endeavour is now part of a newly-emerging field called "neurotheology".

Carmelite nuns assisted scientists in their quest to discover a circuit of nerves in the brain to explain man’s almost universal belief in a deity
But the God module, as some scientists call it, is a mirage, according to the study by Dr Mario Beauregard, of the Department of Psychology at the Université de Montréal and his student Vincent Paquette, published in the journal Neuroscience Letters. "The main goal of the study was to identify the neural correlates of a mystical experience," said Dr Beauregard. "This does not diminish the meaning and value of such an experience, and neither does it confirm or disconfirm the existence of God."
Fifteen cloistered Carmelite nuns ranging from 23 to 64 years old were subjected to brain scan using a method called functional magnetic resonance imaging while being asked to relive a mystical experience, rather than actually try to achieve one. "I was obliged to do it this way seeing as the nuns are unable to call upon God at will," said Dr Beauregard.
This method was justified because previous studies with actors asked to enter a particular emotional state activated the same brain regions as people actually living those emotions.

Rather than reveal a spiritual centre in the brain, a module of neural circuits specifically designed for religious experience, the study demonstrated that a dozen different regions of the brain are activated during a mystical experience.
In other words, mystical experiences are mediated by several brain regions and systems normally implicated in functions such as self-consciousness, emotion and body representation.
In the past, some researchers went as far as to suggest the possibility of a specific brain region designed for communication with God. This latest research discredits such theories.
Speculation about the God spot was triggered when a team at the University of California, San Diego, saw that people with temporal-lobe epilepsy were prone to religious hallucinations.
This led Michael Persinger, a neuropsychologist at Laurentian University in Canada, to stimulate emporal lobes artificially to see if he could induce a religious state. He found that he could create a "sensed presence".

SOPRANOS

I watched the Emmy Awards last Sunday Evening. This is unusual for me because I usually despise award shows in particular and celebrity events of any kind in general. But, I was pleased to see Elizabeth I take the evening, if only to demonstrate that there is some good out there in the wasteland. Another good is The Sopranos as may be gleaned from this review from the Guardian.

When The Sopranos began on American television in 1999, even a bookmaker in the pay of the mafia would have had trouble getting odds on it eventually being voted the best TV drama of all time in both US and British surveys. But the remarkable fact to remember - as the final series of the show begins on E4 tomorrow - is that The Sopranos started with almost no likelihood of it being a success. Because of the stamina and ambition required to produce the 20 or so episodes a year necessary to make an impact on American schedules, the biggest US hits - M*A*S*H, The West Wing, Lost, Desperate Housewives - have tended to be created by relatively young talents. But David Chase was already in his middle-50s - a respected but rather underachieving writer-producer, whose previous peak had been working on The Rockford Files - when he conceived the idea of a gangster family drama. Another obstacle to broadcast immortality was that this material did not seem original. Cinema had mob drama in a headlock with The Godfather and then Goodfellas, so Chase was setting himself against two of the most admired directors in America - Francis Ford Coppola and Martin Scorsese. The Sopranos never tried to get out of this debt - one of the jokes from the beginning was the extent to which Chase's New Jersey mobsters model themselves on the movie bruisers - but this history seemed to limit the series to being a footnote to a genre. It is true that The Sopranos had one big joke of its own: the hardman with the neurotically soft centre. Tony Soprano was so frightened of his mother that he needed to see a shrink each week. But, to Chase's horror, as The Sopranos was in pre-production, he saw a reference in a trade paper to Analyse This, a Hollywood comedy with Robert De Niro as a gangster in therapy. Chase, a somewhat intense and brooding man who had himself been undergoing analysis for 20 years, prepared himself for another reverse. But, for the first time in his career, the dice were weighted in his favour: The Sopranos premiered before Analyse This and so anyone who saw both would take Chase as the bouncer on the door of that story. He has still avoided seeing the film or its sequel, Analyse That, in order to avoid any potential crossover. Even so, despite reaching the screen first - episode one of The Sopranos was screened on January 10 1999 - the show's creator still appeared to have avoided imputations of plagiarism rather than guaranteeing greatness for his creation. The Sopranos had been turned down by Fox, the smallest of the traditional major networks in America, and so aired on the cable channel HBO. In terms of critical attention and potential audience, the show was starting with at least one foot in a concrete boot. In retrospect, it was the displaced location that allowed the show to stamp itself on the map. Now that the funeral parlour drama Six Feet Under and the cosmetic surgery comedy Nip/Tuck have followed The Sopranos - and even a mainstream network, ABC, can screen a series as cheerfully amoral as Desperate Housewives - it is hard to remember just how conventional most American television was at the turn of the millennium. During the long, quiet first phase of his career, Chase had frequently railed against the "network rules". These dictated storylines that were neatly resolved each week, a bad-guy vocabulary which only stretched as far as "sonofabitch", central characters with whom the mass audience could sympathise and empathise and, above all, a moral system in which the good were ultimately rewarded while the bad were punished. These strictures - dictated by a combination of American puritan morality and the caution of advertisers - were so severe that Chase regarded it as something of a triumph that Jim Rockford, the private dick played by James Garner in The Rockford Files, was a relatively troubled and unsuccessful figure by the standards of peak-time characterisation and that some storylines were allowed to run across two episodes. HBO was committed to making cable an arena where greater complexity of narrative and frankness of language would be allowed. The network's hit, Sex and the City, had already taken advantage of these chances, but The Sopranos raised the pitch. The "network rules" were broken from the beginning. For a start, the tradition of central characters with whom the folks at home can identify would, in this case, apply only to a few viewers watching on blood-soaked sofas in New Jersey and Sicily. With the exception of Tony's mother, wife and shrink, the central characters are all murderers and fugitives from justice. Admittedly, the vulnerability Tony shows allows the actor James Gandolfini to make him sometimes worryingly likable - and a regular shot of a paunchy, sleepy Tony picking up the New York Times from his drive is also designed to debunk his thuggery - but the string of killings to which he is linked means that this is an anti-hero in whom the anti far outweighs the heroism. The characterisation also directly assaults one of the most cherished sentimentalities of American culture: motherhood. The dark central joke of The Sopranos is that Tony has a mom who is a mutha. Livia, the matriarch who haunts and daunts the mob boss, is based on Chase's own mother who, though she never took out a contract on him as Livia did on Tony, was prone to savage and erratic moods, in one of which she held a knife to her son's head. Hollywood's storytelling rules are also routinely ignored. Plots will resolve weeks later rather than before the week's final credits and long sections of episodes consist of dream sequences. Compare this to The West Wing, the network-made (NBC) series which has been chief rival to The Sopranos for awards and praise during its period in office. In The West Wing, every central character, apart from the occasional Republican senator, was inherently likable and an A-plot, B-plot and even C-plot were neatly intertwined most weeks. Perhaps the most extraordinary innovation of The Sopranos has been linguistic. Chase's departure from the sanitised vocabulary of mainstream television has been crucial to the show's success. In life, character and attitude are revealed through language, but for decades the prissy talk laws of television meant characters abandoned realism every time they opened their mouths. The fact is that, except when in the presence of his mother or sisters, a mobster does not say, "Get out of my frigging house, you sonofabitch." He accuses his opponent of customarily having sex with his mother or invites him to have intercourse with himself. When it started, The Sopranos was the first TV show to match cinema for vocal realism. The potty-mouthed frankness of mobsters appalled some conservative reviewers and audiences and is one of the three areas in which The Sopranos has received serious criticism. The second is the allegation that it perpetuates stereotypes of Italian-American life, a charge to which Chase responds by saying that when Italian-Americans stop belonging to the mafia they will cease to be depicted as doing so. The third perceived weakness of The Sopranos has been made with less prejudice and is harder to refute. This is the worry of some that, for all the innovations of characterisation and narrative, the storylines are spread too thinly across the 77 episodes. Members Only, the season-six opener, is a good example of this alarm. For much of the episode, nothing seems to happen that has not happened before as Tony spars with Dr Melfi about his mother and broods over his marriage. But then Chase displays the show's ability to incorporate and evade criticism. This meandering approach is deliberate, establishing a template of normality against which a late moment of shocking action makes even more impact. Chase, though, has already tacitly acknowledged that The Sopranos has reached its highest notes. The eight episodes currently being filmed at Silvercup studios in New York will complete the series. Screened in spring 2007, they will despatch The Sopranos into the charmed afterlife of syndication and DVD. It will become one of the measures against which television is judged. Sometimes, admittedly, the show is not as clever as its admirers believe. Many fan pages in cyberspace claim Chase has planted within the drama a systematic symbolism involving food. These web-heads note that when a character eats or breaks eggs, death almost always follows: Tony, for instance, accidentally steps on a carton just before ordering the murder of his cousin. Chase, when I interviewed him recently, insisted that these people were talking out of a hen's behind: there is no intentional omelette sub-plot. Dr Melfi, however, would perhaps conclude that all this egg stuff is welling up for some reason from Chase's subconscious. Perhaps it is because he scrambled for ever the rules and expectations of American television.

29.8.06

MASTERS of the IVORIES

'IT'S A PLEASURE to meet you," says jazz giant Oscar Peterson with a warm smile as we sit for a rare interview between sets during his six-night run at Birdland that ended last Sunday. It was good to be put at ease.
As reclusive as he is legendary, Mr. Peterson is an artist whose amazing technical command and uncanny musical instincts have for decades instilled in other musicians the kind of awe and fear he expresses about his idol, the late Art Tatum (he once compared that piano master to a lion: an animal that scares you to death, but one you can't resist getting close enough to hear roar). Over a decade ago, however, Mr. Peterson suffered a stroke that debilitated his left hand and left him in a weakened condition. He has been battling his way back ever since.
It's an arduous challenge. The Oscar Peterson style has long been characterized by rapid, graceful, blues-tinged melodic lines unfurled in long, weaving phrases with the inexorable logic of an epic narrative; and--equally important--a visceral sense of rhythm, transmitted with fire and snap. These qualities for which he is renowned--effortless fluidity and clockwork precision--are not merely aspects of his playing. They are the very foundation on which his personal artistic expression rests. And pulling them off requires a high level of athletic prowess.
At the first set of his performance last Tuesday, the audience rightly erupted into a standing ovation as he entered the room. The pianist, who recently turned 81, needed help to mount the stage, but he had not even completely descended onto the piano stool when his hands shot to the keyboard and began playing. His quartet, featuring guitarist Ulf Wakenius, bassist David Young and drummer Alvin Queen, offered superb musical support. And for moments during that set, flashes of the old brilliance emerged, unscathed by the ravages of illness and time. Yet the physical struggle was also apparent.
Mr. Peterson has never been one to stop for roadblocks--and there have been many. Nevertheless, his current frustrations are formidable. We speak after the performance, and I mention that he is one of those special musicians whose sound is recognizable after hearing just a few notes. "Because they are all wrong?" he asks, with a laugh.
Given a limited amount of time, to allow Mr. Peterson some rest between sets, we concentrate on just a few subjects. One is his concern about the proper education of young musicians. Mr. Peterson was himself a high-school dropout (his father gave him permission to leave school only under the condition that he become the best at what he does). Yet he has innumerable honorary degrees to his credit, and he even created and ran a school of contemporary music for three years (which has since closed), in his native Canada.
Asked why so many young jazz musicians today, unlike the artists of his generation, seem unable to make a genuinely personal contribution to the tradition, he points to limitations in our culture and marketplace: "I'm not denigrating anybody," he says, "but of all the things being played on the air, there is not enough of 'our' kind of music. Young people are not getting the full spectrum. Many are not getting involved with classical music until they are much older. And needless to say that is also true of jazz. Budding musicians are not given time to develop. They simply follow what is popular, and it won't help them from a creative point of view."
His own early musical education was shaped in Montreal under the tutelage of a Hungarian teacher named Paul de Marky. There were the usual exercises and standard classical repertoire, which the young student practiced for up to 12 hours a day "when my mother didn't drag me off the stool," he reports. "Mr. de Marky was a very great pianist and teacher. What I loved about him was that he was not short-sighted. He was a fantastic classical pianist. But I would come to him for a lesson, and he'd be playing jazz records." It was his teacher's open-mindedness, he says, that allowed him to branch out.
At the age of 14, he won a national amateur contest sponsored by the Canadian Broadcasting Co. Three years later he began touring with the Johnny Holmes Orchestra, Montreal's most popular swing band. Before long he achieved recognition as an incredible boogie-woogie player, garnering the title "The Brown Bomber of Boogie-Woogie." "That was RCA Victor's idea, not mine," he says with a glint of anger. "They insisted that I do that. As for whatever name they gave me, I'm happy not to remember."
Yet it was the beginning of a real career. All the while, he studied the output of jazz piano greats like Teddy Wilson, Nat "King" Cole and Duke Ellington. "The first thing I did was to use them as my primary source of exercise, trying to emulate them as best I could. Their playing served as my rudiments. And then I heard Art Tatum and decided to retire," he states with a grin. "I still feel that way." Many other pianists do too, for good reason--Tatum displayed the kind of technique that left classical virtuosos like Vladimir Horowitz and Sergei Rachmaninoff with dropped jaws, and his harmonic explorations showed a sense of sophistication and adventure beyond anything being offered by his peers.
Young Oscar's understanding of harmony had already been developing in Paul de Marky's studio: "His library of recordings included Art Tatum, Teddy Wilson and others, thank God. He had a very broad insight into the music, and he passed it on to me."
What keys to success had he discovered in the playing of the greats? "There was one common denominator," he explains. "They respected the instrument. I never tried to sound like a trumpet or a clarinet. I was taught to respect it for what it was: a piano. And it spoke with a certain voice. And that was what I was determined to bring forward." That is, he was focused on becoming what is known as a "two-fisted player"--someone who utilizes the full potential of the instrument. The pianists he admires today have paid similar dues. He points to Benny Green and fellow Canadian Oliver Jones among them.
Recent reports tell of a group of young people riding by his home in Toronto and yelling racial epithets. Rumors had the pianist, who was recently honored with a Canadian postal stamp in his image, ready to move to the Caribbean. "I like to think it was just a bunch of hooligans," he now says with sadness. "I toured the South with Norman Granz, and I went through the hate campaign they had going down there. But when you come away from a nice party at a friend's house, and arrive home to hear those expletives--it makes me feel that my family is at risk. What have I done to deserve it?"
As for his current physical trials, he is most grateful for friends in the medical profession who look out for him. "They are very tuned into what I want to do, and they are not afraid to say, 'You'd better not try that.' And I listen to them. They don't play piano, and I'm not a doctor."
"And will you continue to plug away?" I ask, as the owner of Birdland, Gianni Valenti, informs me that time is up. "That's my medicine out there," Mr. Peterson replies, gesturing toward the stage. "It's the audience's medicine too," I offer in response. "Amen to that," he says.
Mr. Isacoff, editor of the magazine Piano Today, is the author of "Temperament: How Music Became a Battleground for the Great Minds of Western Civilization."

TO IVY OR NOT TO IVY



BIG MEN ON CAMPUS

by PETER J. BOYER

The lacrosse furor and Duke’s divided culture.

In the summer of 2003, a search committee from Duke University set out to find a successor to its departing president, Nannerl Keohane, and decided upon the dean of Yale College, Richard H. Brodhead. Duke had long striven for a place among the top tier of American universities, and selecting a new leader from among the “upper Ivies” affirmed Duke’s arrival.
For Brodhead, though, the decision was the most difficult of his life. He had come to Yale from Andover in 1964, at the age of seventeen. After taking a degree in English literature, he had stayed on for his postgraduate work and a career in teaching. He had had offers from other schools over the years, including university presidencies, but New Haven held him fast. He was a gifted teacher; his English-literature courses were student favorites. Even after his move into Yale’s administration, Brodhead remained so thoroughly the literature professor as to embody the type—shy, prone to a slight stammer, but speaking in long, elegantly formed passages, filled with literary allusion.
The man charged with bringing Brodhead to Duke was Robert K. Steel, a trustee and chairman of the search committee, who was a Duke graduate and a native of Durham, North Carolina, where Duke is situated. Steel, then a vice-chairman of Goldman Sachs, was a man of forceful personality and overflowing confidence, a driven achiever who liked having a clear goal. Steel knew how much his 1973 Duke degree had appreciated in value, and, regardless of what outsiders thought, he was convinced that Duke’s destiny was to set its own standard. Steel and his committee vice-chair, the Duke law professor Sara Beale, met Brodhead at a small restaurant off Interstate 95 in Connecticut and put the school’s case to him. Steel knew something about the Ivy League (he teaches a class at Harvard’s Kennedy School of Government), and he believed that the rich and venerable old schools were a bit sclerotic. Duke was young and willing to take risks, and, as Steel would say, “We’re in a hurry.”
Steel talked to Brodhead about the ways in which Duke and Yale were similar—their size, the balance of teaching and research, their professional schools, and so on—and about one big difference: sports. Yale, with the rest of the Ivy League, had long ago given up big-time football, and competed in all sports with non-scholarship student athletes. Duke means to contend at a championship level in sports across the board, and to do so without compromising academic standards. It is an audacious proposition—only two other private institutions, Stanford and Northwestern, even try it—and the undertaking alone attests to Duke’s vigor, and its idea of itself. Duke’s basketball coach, Mike Krzyzewski, who is known on campus as Coach K and has won three national championships with smart, disciplined players, exemplified the ideal.
“Is that something you want to be part of?” Steel asked.
On June 28, 2004, Duke’s ninth president moved into his new office, in the Allen Building, near the university’s main quad. As Brodhead was getting settled, Joe Alleva, Duke’s athletic director, rushed in with urgent news: the Los Angeles Lakers had offered Coach K the job of head coach, and Krzyzewski was thinking of leaving Duke.
After forty years in the academy, Brodhead, on his first day in the new job, was facing a crisis wholly foreign to him. But he understood that losing the star coach would be a disastrous beginning, and he took Krzyzewski to dinner and desperately sought common ground. There was no way that any school, even Duke, could compete monetarily with the N.B.A. (the Lakers had reportedly offered Krzyzewski forty million dollars), but Brodhead did have one edge: his status as an academic heavyweight. He told the coach how highly valued he was at Duke, not just for his winning but for his talents as a teacher, and if Krzyzewski stayed he would retain his auxiliary position as a “special assistant” to the president. As the days passed, Brodhead found himself joining the crowds of students chanting “Coach K, please stay!” and helping to fill a human chain forming the letter “K” outside Cameron Indoor Stadium. On July 4th, Krzyzewski made his decision: he would stay. But he waited until the next day to relieve the president of his agonies.
“What you saw there was the lay of the land,” Orin Starn, a Duke professor who specializes in the anthropology of sports, recalls. “The fact is that it’s the basketball coach, Coach K, who’s the most powerful person at Duke, and in Durham, and maybe in North Carolina—much more powerful than the college president himself. So Brodhead—I mean, there was almost this kind of ritual humiliation, this ritual obeisance, or fealty, that was required of him.” Whatever it was, Brodhead was plainly grateful for the outcome, and at the ensuing press conference he demonstrated that he had mastered the language, at least, of the Duke idea. Krzyzewski was a “great, great coach,” Brodhead said, but he was equally valued by Duke as a molder of character, a truly serious person.
This July, two years after that ordeal, I visited Brodhead in his office. He told me that he had expected surprises in the job, but he could not have imagined that sports would have presented him with decisions of such gravity. As we spoke, three of Duke’s lacrosse players, one of them a new graduate, stood accused of gang-raping a local woman who had been hired as a stripper for a team party in March. The event, and its aftermath, had cast into doubt the central tenet of the school’s identity—the fragile balance between sports and scholarship. When I asked Brodhead how his experience at Duke has informed his thinking about the place of big-time athletics in the university, he cited Homer. “If you go back and read the Odyssey, who is Odysseus?” he asked. “ ‘Sing in me, Muse, and through me tell the story of that man skilled in all ways of contending.’ And his ways of contending are intellectual, and they’re strategic, and they’re political, and they’re athletic. And so it seems to me that that would actually be at the foundation of it—it’s the image of excellence. I’m not saying that I would embrace athletics on any terms. But that’s its relevance. And then you have to couch it in the right terms, to have it be consonant with the other values of the university. There are other things as well. It’s about working in teams, about learning to do things together that people can’t do alone. The metaphorical value of sports is actually quite deep, when you stop and think about it. Our culture doesn’t ask us often enough to think about it.”
Just after 1:30 A.M. on Tuesday, March 14th, a Durham police sergeant named John Shelton, responding to a 911 dispatch, pulled into the parking lot of a Kroger supermarket, about a mile from the Duke campus, where, according to his report, he encountered a black woman slumped in the passenger seat of a dark-colored Honda. “She’s just passed out drunk,” Shelton concluded. He popped open a capsule of ammonia, waved it under the woman’s nose, and tried pulling her from the car. The woman, rousing, grabbed hold of the car’s emergency brake, but she lost her grip and tumbled out into the parking lot. The Honda’s driver said that she had offered the woman a ride home, because she had seemed incapable of making it on her own. The subject had no identification. She was wearing a see-through red garment (with no underwear) and one white high-heeled shoe.
Shelton conferred with Officer Willie Barfield, who had just arrived. Without an address, the men couldn’t take the woman home, and Shelton considered her to be too intoxicated for a twenty-four-hour lockup. He decided on a county facility called Durham Center Access, a sort of halfway house/emergency room that helped indigents through substance-abuse and psychological crises. At the Center, Barfield and another officer stood by as a staff nurse went through the standard screening process with the distressed woman, assessing her for risk of suicide, danger to others, substance abuse, and victimization.
The nurse asked the woman if anything had happened to her.
“Yes.”
Had she been raped?
“Yes.”
With that response, the woman became a dramatic archetype. In the coming hours and days, a series of narratives concerning her would be composed by cops, journalists, politicians, activists, lawyers, and by the woman herself.
Barfield called Sergeant Shelton and told him that the woman was saying that she had been raped inside a house at 610 North Buchanan Boulevard, near the Duke campus. Shelton knew the address. Earlier that night, he had been called to the Buchanan house on another 911 complaint: a woman reported that a young man at the house had shouted a racial epithet at her and her friend, a black woman. Shelton had gone to the site, a modest white clapboard house with empty cups and beer cans strewn about inside, but when he knocked on the door no one responded.
Shelton instructed Barfield to transport the woman to Duke University Hospital’s emergency room, and he met them there. She told Shelton that she was a stripper who’d been hired, with another woman, to “put on a show” for a group of men at the Buchanan house. She said that she had been groped, but that no one forced her to have sex. She’d had an argument with the other stripper, she said, and someone had taken her money.
Shelton stepped outside and called the police station. He told his watch commander that the alleged rape victim had recanted. But within moments he got word that the woman was again claiming rape, prompting yet another call to the station.
Several cops from the Duke University police force were also in the emergency-room area that night, including an officer named Christopher Day, who had apparently been standing with Sergeant Shelton when he told his watch commander about the accuser’s changing stories. His report of the incident reflected the prevailing view among the cops who had dealt with the woman: “The victim changed her story several times,” Day wrote, “and eventually Durham Police stated that charges would not exceed misdemeanor simple assault against the occupants of 610 N. Buchanan.”
When Robert Dean, the director of the Duke University police, read the overnight operations report, he did not find it unusual to see an incident from the neighborhood around North Buchanan Boulevard. The university had cracked down on alcohol on campus, and that had pushed students, and their keg parties, off campus, into rental homes. Duke had agreed to have its force help the Durham police in patrolling the areas near campus, and the school had just bought, for $3.7 million, several of the houses in the neighborhood—including 610 North Buchanan—with the intent of removing them from the student-rental pool.
A sexual-assault claim was more than just another nuisance complaint. Dean called the dean of students, Sue Wasiolek, to inform her of it, and told her that the matter would likely blow over.
Wasiolek discovered that the residents of the house were members of the Duke lacrosse team. To any reasonably attuned school administrator at Duke, the term “lacrosse player” summoned a particular profile. In the order of the social universe of Duke undergraduates, the lacrosse players ranked at the top of the dominance hierarchy. They tended to be the children of white, prosperous families, products of northeastern preparatory schools, where the game is a fixture; after graduation most of them go on to lucrative careers in fields like finance. They were capable, if not overly serious, students, and necessarily well-disciplined athletes. They were also known as enthusiastically social creatures, partyers of the very highest order, and prodigious drinkers, even within a culture inclined to intemperance. In this regard, their marquee setting (in public, at least) was the Saturday-morning football-season event known as Tailgate, a quasi-sanctioned school function held in a parking lot before football games. The lacrosse boys, who stood out among the revellers, wore themed costumes-—superheroes, cartoon characters, etc. Their effort at last season’s final Tailgate was widely deemed their best, as it featured a foam pit that facilitated a measure of “Girls Gone Wild” abandon.
It was a reflection of the lacrosse team’s station at Duke that, when the school decided, in 2005, that Tailgate needed to be reined in (many revellers never bothered to leave the party to attend the football game), administrators asked the lacrosse coach, Mike Pressler, for help. His solution was to ask his team to meet him fifteen minutes before kickoff time, and to proceed to the football stadium together—which they unfailingly did. In this regard, the lacrosse players exemplified the “work hard, play hard” Duke ideal. As it happened, Wasiolek, who likes to be called Dean Sue, was reasonably attuned to the team’s place in the school’s culture, having been among those who attended the foam party.
It was spring break at Duke, and the lacrosse players, because of their game schedule, were among the few students on campus the week of March 13th. On Wednesday, when Coach Pressler returned a call from Wasiolek, he was, characteristically, with his team, at a group outing at a local bowling alley. After hearing of the incident at the Buchanan house, he summoned his team captains—three of whom were residents at 610 North Buchanan—and asked them about the party. He then called Wasiolek back and put one of the captains, Dan Flannery, on the phone.
Flannery, a senior, had made the call (using the name Adam) to an escort service. He now told Wasiolek that he and his roommates had given a party, that there had been a good deal of drinking, and that they’d ordered two strippers for entertainment. When the women arrived, he said, one of them was incapacitated, and he supposed that she was on drugs. The students paid the women, and asked them to leave early. The woozy woman, Flannery said, eventually passed out, and had to be assisted to her car, at which point both women drove away.
Wasiolek urged the students to be honest in their dealings with the authorities and to coöperate fully with any investigation.
The next evening, March 16th, school officials learned that a search warrant had been issued for the Buchanan house. The case was now being handled by two Durham police investigators, the veteran sergeant Mark Gottlieb and a rookie investigator, Benjamin Himan, who had been promoted to the position in January. Wasiolek telephoned Pressler, who called the students at their house. He discovered that the three roommates—Flannery, David Evans, and Matt Zash, who were team captains—had already let the police in and had shown them around the place; when asked if they would go to the station to answer some questions, they agreed. By the end of the search, the police had seized evidence including four laptop computers, three digital cameras, a bathmat, a bath rug, five artificial fingernails, a bottle of K-Y jelly, and a stack of twenty-dollar bills.
At the police station, the three young men offered to take a polygraph test. The police declined the offer, but questioned them extensively about the night of the party and sent them to the hospital to have DNA samples collected. The boys had no legal representation during this visit with police.
On Saturday, March 18th, the team had a home game against the University of North Carolina, overcoming an early 6–0 deficit to win, 11–8. That weekend, the first accounts of the alleged assault appeared in the local newspapers—police-blotter items that did not mention the Duke connection. President Brodhead first learned of the incident on Monday, March 20th, when the school paper, the Chronicle, reported that the scene of the alleged crime was one of the off-campus houses that Duke had recently bought. Brodhead telephoned Larry Moneta, the university’s vice-president for student affairs, who responded with the now common view of the matter among Duke officials: the accusation wasn’t credible, and nothing much was likely to come of it.
The Chronicle and the Raleigh News & Observer published stories in the following days reporting that there had been a party at the Buchanan house and that alcohol had been involved. In both accounts, Sergeant Gottlieb made a point of saying that the residents had coöperated with the police. The narrative of the incident to this point, largely shaped by the field cops who had first encountered the accuser, suggested the tenor and the pace of a routine inquiry into off-campus student high jinks.
On the day that the Durham police searched the Buchanan house, March 16th, the investigators Himan and Gottlieb drove to the accuser’s home and heard her version of events. Her account this time was more explicit: she had been attacked by three of the men at the party, who had held her in a bathroom and raped her orally, vaginally, and anally, she told the investigators. And she knew her attackers’ names—Adam, Matt, and Bret.
It seemed like a breakthrough lead. There were players with those names on the team, including three named Matt. That evening, two other investigators gave the woman a chance to identify the men she was accusing and showed her a photographic lineup, using pictures of the players taken from the team’s Web page. The woman looked at the pictures of the men. “This is harder than I thought,” she said. She was able to pick out a few faces of boys whom she remembered seeing at the party, but she could identify none of them as her attacker. She did not recognize any of the boys whose names she had given to Himan and Gottlieb.
The investigators decided to try another approach. On Monday, March 20th, Himan telephoned Coach Pressler and said that he’d like to gather the whole team for an informal meeting, at which he would speak to each of the players who had been at the party. A local attorney, Wes Covington, who had handled the occasional student brush with the law, told Pressler that he thought the meeting with Himan was a good idea. An appointment was set up for the afternoon of Wednesday, March 22nd.
By this time, a few of the players had told their parents about the incident. Now, faced with the meeting with the investigators, one of the players called his father, a Washington attorney; the father insisted that the meeting be postponed, and quickly retained another Durham attorney, Robert Ekstrand, to represent the boys.
On Tuesday, March 21st, police prepared a second photographic lineup for the accuser. She remarked that they all looked alike. She was also interviewed by Himan. In his notes of that meeting he wrote, “She was unable to remember anything further about the suspects.” He also noted that the woman did say that she had drunk a twenty-four-ounce beer before arriving at the party, and that she had performed for a couple in a hotel room using a vibrator.
On Thursday, March 23rd, ten days after the party, Himan and the Durham assistant district attorney David Saacks applied to Judge Ronald L. Stephens for a court order demanding that all forty-seven members of the lacrosse team except one, who was black, submit to photographs and DNA testing. In support of the request, Himan submitted the essential text of his application for the earlier search warrant:
Two males, Adam and Matt pulled the victim into the bathroom. Someone closed the door to the bathroom where she was, and said “sweet heart you can’t leave.” The victim stated she tried to leave, but the three males (Adam, Bret, and Matt) forcefully held her legs and arms and raped and sexually assaulted her anally, vaginally and orally. The victim stated she was hit, kicked, and strangled during the assault. As she attempted to defend herself, she was overpowered. The victim reported she was sexually assaulted for an approximate 30 minute time period by the three males.
Saacks said in the application that the DNA samples were crucial to the case. They would “immediately rule out any innocent persons,” he wrote, “and show conclusive evidence as to who the suspect(s) are in the alleged violent attack upon this victim.” Judge Stephens ordered the students to comply.
Brodhead learned of this development as he was preparing to travel with Bob Steel by private jet to Atlanta, to watch Krzyzewski’s basketball team play L.S.U. in the N.C.A.A. tournament. “It suggested that it was being treated with a degree of gravity and scope very different from what I had been told heretofore,” Brodhead says.
That evening, the lacrosse players, accompanied by their new lawyer, Ekstrand, arrived at the police crime lab in downtown Durham. The Raleigh News & Observer had got word of their arrival and sent a reporter and a photographer to the scene. Seeing the journalists, Ekstrand instructed the players not to answer any questions and to shield their faces from the camera. The resulting image was that of a massive perp walk.
A News & Observer reporter located the accuser, and the paper published a profile that was wholly sympathetic to her. A new narrative fell into place. The woman was a mother, the paper reported, a full-time student at North Carolina Central University—Durham’s historically black state college, on the other side of town. She had been working dancing engagements through an escort service for only two months, a job that helped to support her family. “This was the first time she had been hired to dance provocatively for a group,” the paper reported. The woman said that she had arrived at the house expecting to perform for five men at a bachelor party; instead, “she found herself surrounded by more than forty.’’ Moments after she and the other woman started their performance, she said, the men “started barking racial slurs.’’
“We started to cry,” she said. “We were so scared.”
When the story was published, on Saturday, March 25th, the television satellite trucks were already jostling for parking places in the circular lot near the Duke chapel. Exams were nearing, and students found themselves confronted by national reporters at every turn. Their stories relied heavily upon the warrant summation of Investigator Himan, which had now been made public. A New York Times Op-Ed piece by the writer Allan Gurganus provided an admiring critique of Himan’s prose: “Its allegations of rape and sodomy prove weirdly well written, more gripping reading than most detective novels.” Gurganus was among those sounding the emerging themes of the case, suggesting that the fault might lie in the sport itself. (“Young male students are apt to take on the nature of their particular sport. One early explorer, after witnessing an Indian game involving hundreds of stick-wielding players, wrote, ‘Almost everything short of murder is allowable.’ ”) Lacrosse as a cause of sociopathic behavior was vigorously proposed, and the sport’s demographic cohort critically examined. “It’s a sport of privilege played by children of privilege and supported by families of privilege,” the columnist David Steele wrote in the Baltimore Sun. “The university involved is one of privilege.”
A Duke law professor offered the opinion that young men who played helmeted sports, which he called “sports of violence,” were more likely to commit acts of violence against women. “This is clearly a concern,” he said. Several writers invoked the ancient American taboo against miscegenation. (“White men portrayed black women as especially erotic, more driven to sexual pleasure and expressiveness than white women,” the Duke history professor William H. Chafe wrote.)
The predominant theme in all the coverage, though, was the matter of the social implications of the alleged assault—a black woman raped by white men, a black public school contrasted with Duke, the perceived racial tensions in a town roughly equally divided between blacks and whites. “The case has drawn national attention to Duke and Durham while underscoring issues of class and race between the private university and the city” (the Times); “The situation has exposed serious issues of race, gender and class division” (the News & Observer); the case had intensified “undercurrents of privilege and race in a blue-collar city of two hundred thousand that is forty-four per cent black while home to one of the nation’s élite universities” (ESPN).
The Durham police, who three days earlier had emphasized the coöperation of the Buchanan-house residents, now seemed to have adopted a strategy of provocation. On the weekend of March 25th, a Durham police corporal named David Addison repeatedly proclaimed the community’s outrage. “We do know that some of the players inside the house on that evening knew what transpired, and we need them to come forward,” he was quoted as saying on CBS News. “That brutal assault, that brutal rape that occurred within that house, cannot be explained by anyone,” he said on ABC. This led to much media speculation on the team members’ “wall of silence.”
When lacrosse families and fans arrived on campus for a game against Georgetown on Saturday afternoon, they were greeted by protesters, some carrying signs with messages like “Don’t be a fan of rapists.” On Saturday night, two hundred protesters held a candlelight vigil along North Buchanan Boulevard, singing “Amazing Grace” and depositing their spent candles on the steps of the infamous house. The next morning, they gathered at the house again, banging pots and declaring that they were sounding “a wakeup call.” The “pot-bangers,” as the protesters came to be known, moved to the home of the university’s provost, Peter Lange, and remained there until he came outside to address them. The Reverend Jesse Jackson became interested in the case.
On Monday, March 27th, one week after Investigator Himan had invited the team in for a friendly chat, Durham’s district attorney, Michael B. Nifong, publicly associated himself with the case for the first time. Nifong was virtually unknown in Durham, despite having spent twenty-seven years in the prosecutor’s office, but among attorneys he had the reputation of being a fair and capable prosecutor (“probably the best lawyer in that office,” the Durham defense attorney Tom Loflin says). Starting out as a volunteer assistant, he worked his way up to assistant district attorney prosecuting homicide and drug cases, and got his share of convictions. Acquaintances say that Nifong never coveted the top job; he wasn’t political, and lacked the appetite and the instinct for public campaigning. Because of his long service, he earned around a hundred thousand dollars a year, nearly as much as some of the district attorneys he worked for.
In 1999, Nifong learned that he had prostate cancer, and underwent treatment. When he was able to return to work, his boss, District Attorney Jim Hardin, Jr., assigned him to traffic court—a sort of early semi-retirement.
Last year, when Hardin was appointed to a judgeship, Governor Mike Easley appointed Nifong to finish his term. Nifong, who was just a few years short of reaching his thirty-year mark, subsequently announced that he would run for a full term in the spring. As a Democrat, he needed only to win the Party’s nomination in a May primary to be virtually assured of election. Polls taken by Nifong’s opponent, a former assistant D.A. named Freda Black, showed Nifong, whose name recognition was marginal, running considerably behind her. Black was well known, because in 2003, while Nifong was negotiating traffic cases, she had been Hardin’s chief courtroom assistant on a notorious socialite-murder case that had been carried live on Court TV. In his first week on the job as Hardin’s replacement, Nifong had fired her. She says he gave no explanation. (He has since hinted that it had something to do with conflict of interest.)
On March 27th, after the weekend of protests, Nifong declared that he was personally taking over the lacrosse case, and he began an extraordinary blitz of public appearances, being interviewed upward of fifty times. He repeated the charges of a conspiracy of silence among the players, and suggested that those who failed to come forward might face charges of aiding and abetting the crime. He repeatedly declared his belief that a crime had occurred, and said, “My guess is that some of this stone wall of silence that we have seen may tend to crumble once charges begin to come out.”
He publicly emphasized the racial implications of the incident, telling the Times, “The reason I decided to take it over myself was the combination gang-like rape activity accompanied by the racial slurs and general racial hostility. . . . There are three people who went into the bathroom with the young lady, and whether the other people there knew what was going on at the time, they do now and have not come forward. I’m disappointed that no one has been enough of a man to come forward.”
Nifong also demonstrated on television how he imagined the alleged victim was grabbed and held by her attackers. He suggested that the woman might have been given a date-rape drug, and even held the students’ decision to hire attorneys against them. “One would wonder why one needs an attorney if one was not charged and had not done anything wrong,” he said. He referred to the athletes as “a bunch of hooligans,” and played upon presumed resentment of Durhamites toward the school, which some still called the Plantation. “There’s been a feeling in the past that Duke students are treated differently by the court system,” Nifong said. “There was a feeling that Duke students’ daddies could buy them expensive lawyers and that they knew the right people.”
Stinging though Nifong’s comments were, he was saying nothing that was not also being heard on the Duke campus. One group of students distributed a flyer around campus—in the style of a “Wanted” poster—with pictures of the lacrosse players and the command “Please come forward.” Protesters chanted slogans outside the Allen Building, another group of students demonstrated until Brodhead agreed to meet with them, and reporters found no shortage of students willing to portray the alleged attack as symptomatic of larger problems at Duke. “There’s a culture of rape at Duke, so we’re hoping this will get them to speak up,” a student told USA Today.
Much of the bitterest vitriol came from members of the Duke faculty. In overheated faculty meetings, in furious e-mail exchanges, in protest rallies, and in comments to the press, many at Duke seemed willing to assume not only the players’ guilt but the university’s. At a session of the Academic Council, the faculty governance body, Brodhead was roundly assailed for not taking decisive action against the team, and one professor stood and urged him to confess publicly that Duke was a racist and misogynist institution. Houston A. Baker, an English professor who has since left Duke for Vanderbilt, asserted in a letter (which he subsequently made public) to Peter Lange, the provost, that at Duke white male athletes were “veritably given license to rape, maraud, deploy hate speech,” and excoriated the university for its complicity in the “sexual assault, verbal racial violence, and drunken white male privilege loosed amongst us.”
Inside the Allen Building, Brodhead and his administration felt besieged, and a bit bewildered. “The nature of the information kept changing, and was extraordinarily confusing,” he recalls. “You don’t have a playbook in the drawer. And what made it hard was not only the scale of emergency—it was the combination of the extraordinarily inflammatory versions of the story with very high degrees of uncertainty.” The press demanded regular briefings, and on more than one occasion Brodhead found himself confronted with an unexpected development even as he was speaking to reporters. It was at a press conference that Brodhead learned about the 911 call complaining of racial slurs against a woman passing by the Buchanan house. On April 5th, as Brodhead was preparing to announce a fairly measured response to the uproar, he learned about an e-mail sent by a player named Ryan McFadyen in the hours just after the party.
To whom it may concern tommrow night, after tonights show, ive decided to have some strippers over to edens 2c. all are welcome.. however there will be no nudity. i plan on killing the bitches as soon as the walk in and proceeding to cut their skin off while cumming in my duke issue spandex.. all in besides arch and tack please respond
Brodhead, who had been trying to maintain a balance between avoiding prejudgment and satisfying the mounting pressure for action, was outraged. He said he found the message “sickening and repulsive,” and he acted immediately. He suspended McFadyen. Coach Pressler was informed that he had until the end of the day to leave the campus, where he had coached for sixteen years. Brodhead also announced a series of committees that would investigate the team, the administration’s handling of the matter, and the Duke culture itself. In a letter to the Duke community, he wrote that the lacrosse episode “has brought to glaring visibility underlying issues that have been of concern on this campus and in this town for some time.” The letter went on:
They include concerns of women about sexual coercion and assault. They include concerns about the culture of certain student groups that regularly abuse alcohol and the attitudes these groups promote. They include concerns about the survival of the legacy of racism, the most hateful feature American history has produced. Compounding and intensifying these issues of race and gender, they include concerns about the deep structures of inequality in our society—inequalities of wealth, privilege, and opportunity (including educational opportunity), and the attitudes of superiority those inequalities breed. And they include concerns that, whether they intend to or not, universities like Duke participate in this inequality and supply a home for a culture of privilege.
There was, in the media onslaught, a hint of Schadenfreude—some outsiders find Duke an easy place to hate. It had been, as Bob Steel said, a school very much in a hurry. Duke had achieved the No. 5 position in a ranking of American universities; the others in the top five—Harvard, Princeton, Yale, and Penn—had been more than a century old when Duke was still a tiny religious school on the Carolina frontier. Now that Duke had arrived, there was impassioned disagreement over what should come next.
The path on the way up had been easier to discern. When, in 1859, the Methodists offered financing to Normal College, a small school in rural Randolph County, the school jumped at it, and became Trinity College. Thirty years later, the Yale-trained Northerner John Crowell became president, and planned a major university on the German model. He solicited the patronage of the tobacco baron Washington Duke and moved Trinity to Duke’s home town of Durham (adopting Yale blue as the school color). When Duke’s son, James B. Duke, offered to build a majestic new campus for Trinity and endow a university, the school renamed itself yet again. To design the new buildings, Duke commissioned the Philadelphia architect Horace Trumbauer, who had put mansion roofs over the heads of the ruling class during the Gilded Age. For the new campus in Durham, Trumbauer fancied a Gothic Revival evocation of Oxford and Cambridge, and the spectacular sandstone result was hardly intended to mute any inference of privilege.
When the new campus opened, in the fall of 1930, the university set out to buy itself a championship-level football program and hired the University of Alabama’s William Wallace Wade as athletic director and football coach. Wade quickly made Duke a national football power, winning the Southern Conference title within three years and taking his undefeated Blue Devils to the Rose Bowl for a contest with Southern Cal.
In 1969, Duke’s academic ambitions found perfect expression in the person of Terry Sanford, the state’s famously progressive former governor, who served as Duke’s president for sixteen years. At a time when Jesse Helms was stirring up white resentment toward integration on the Tobacco Radio Network, Sanford wanted to set a national example of a transcendent South. The term he coined for his vision of Duke was “outrageous ambition.” Sanford closed Duke’s education and undergraduate nursing schools (its principal ties to the state and the region), and opened new departments likely to bring national recognition—of business administration and of public policy. He encouraged department heads to scout the upper-tier universities for young teaching talent, and his friends in the national media began to notice his institution. When Sanford left to mount a successful campaign for the Senate, Duke had the reputation of a national university.
It was a Duke provost, Phillip Griffiths, who devised the strategy that cemented that reputation. Griffiths, a mathematician, recognized that the most efficient way to buy academic cachet for Duke was through the recruitment of high-profile stars in the humanities. (Such stars, however high their salaries, were much cheaper than even entry-level postdoctoral hires in the hard sciences, because there were no lab-setup costs.) One of the first big hires, in 1986, was Stanley Fish. He brought an outsized ego, a Jaguar, and postmodernism to Duke, and, as chairman of the English Department, he moved the academy to the front lines of the gathering culture wars. With its debates over campus codes forbidding “hate” speech, and the hiring of such faculty luminaries as Eve Kosofsky Sedgwick, who brought queer theory to Durham, Duke became famous as the home campus of tenured zaniness (and the inspiration for Dinesh D’Souza’s “Illiberal Education”) at a time when the controversy over P.C. orthodoxy was all the rage. By the end of the nineteen-eighties, graduate applications to the English Department had tripled. Fish moved on (he is now at Florida International University), but John F. Burness, Duke’s senior vice-president for public affairs, says, “Duke was put on the map as a result of the English Department being a place of intellectual ferment. And we hear it today. Our ability to recruit faculty, in disciplines that have nothing to do with the humanities, came out of this sense of momentum.”
The two strands of Duke’s character create an interesting tension—Sparta and Athens, in one package. Brodhead has become a basketball fan, and he makes a point of meeting the students who sit near his mid-court seats at Cameron. One of them last year was a student from China, who was dressed up in Blue Devils fan gear. “A physicist, a violinist,” Brodhead says. “This person came to this country, where he knew nobody, and where he knew nothing about the ways of this country, and, actually, sports on this campus form a community that enables people to come together from all different points of view.”
Orin Starn, the sports-anthropology professor, is less sanguine. Duke, he says, has become “this place that’s sort of divided against itself. On the one hand, you have this university that wants to be this first-class liberal-arts university, with a cutting-edge university press, these great programs in literature and history and African-American studies, that’s really done some amazing things over the last twenty years, building itself from a kind of regional school mostly for the Southern élite into a really global university with first-class scholarship. But then you have another university. That’s a university of partying and getting drunk, hiring strippers, frats, big-time college athletics.”
At the end of the spring semester in 2004, Peter Wood, who teaches Native American history at Duke, was reading through his teacher evaluations when he came across one that startled him. “One kid wrote, ‘I wish all the Indians had died; then we wouldn’t have to study them.’ ”
“I had sixty-five students,” Wood says. “Ten lacrosse players. Most of the students loved it. It was a good class.”
Wood guessed that his anonymous student critic was one of the lacrosse players, and wrote a letter to an undergraduate dean expressing his concern about the bad attitude of some athletes and about “the increasing centrality of sport” at Duke.
That gesture gave Wood a proprietary position in the jocks-gone-wild discourse that attended the lacrosse scandal. He was invited to a meeting with Brodhead and drafted onto campus culture committees, and was one of the more forceful voices at the feverish Academic Council meeting in late March. Wood had been one of the brilliant young hires of the Terry Sanford era, a Harvard scholar who was a pioneer in the new field of black American history. He had particular credibility on the subject of sports on campus, because of his pedigree (his father was a famous collegiate football player), and because he had been the captain of the Harvard lacrosse team and coached women’s lacrosse at Duke when it was a club sport. “My dad was an All-American football player, but he was also a straight-A student,” Wood says. “I grew up in a world where these things were supposed to fit together nicely, and they no longer do.”
In 2005, Duke achieved a top-five ranking among Division I schools for athletic success, fielding twenty-six varsity teams in sports ranging from football to fencing. Such a commitment to sports carries a significant price tag: Duke’s annual athletic budget is nearing fifty million dollars. Wood’s ally in this debate, Starn, says, “If you were starting from scratch at Duke, no one would have imagined an athletics program where the budget is almost fifty million dollars. This huge outlay of expenses and energy and visibility of sports is just clearly out of proportion with what it should be. Yes, athletics has a place in college education, but not this sort of massive space that it’s taking.”
But what allowed Wood to so easily tag his anonymous evaluator as a lacrosse player was his conviction that the play-hard cohort was poisoning the campus culture at Duke, and that lacrosse players were at the heart of the problem.
Even before the lacrosse scandal, alarms had been sounded over the coarsening of undergraduate life. Toward the end of Nan Keohane’s tenure as president, the school undertook an extensive study examining the lives of women at Duke. The project’s summation reads like a scholarly anticipation of Tom Wolfe’s “I Am Charlotte Simmons,” the 2004 novel (published after Wolfe’s daughter graduated from Duke) portraying college life as a soul-deadening, booze-fuelled marathon of sexual predation:
Students rarely go on formal dates but instead attend parties in large groups, followed by “hook-ups”—unplanned sexual encounters typically fueled by alcohol. Men and women agreed the double standard persists: men gain status through sexual activity while women lose status. Fraternities control the mainstream social scene to such an extent that women feel like they play by the men’s rules. Social life is further complicated by a number of embedded hierarchies, from the widely understood ranking of Greek organizations to the opposite trajectories women and men take over four years, with women losing status in the campus environment while men gain status.
When the lacrosse story broke, last spring, Elizabeth Chin’s anthropology class was studying Margaret Mead’s “Coming of Age in Samoa,” occasioning lively inquiry into the mores governing Duke’s undergraduate life. For Chin, a visiting professor from Occidental College, the sessions were surprising, and instructive. Several of the young women in her class were members of Duke’s élite sororities—the Core Four, as they are called. “The sorority women in particular were trying to convince me that the sexually free and exploratory world that Mead describes is pretty much the same thing as the hookup culture,” Chin recalls. She wasn’t buying it. “The whole hookup thing is, you get really drunk so that, at some level, you can’t be responsible,” she says. “And then you hook up and then there’s no obligation. It’s bad manners, in fact, to sort of get emotionally connected to the person. But I don’t think any of them like it that much. . . . It’s dehumanizing. And it’s very alienating. It’s sort of like they have to deaden themselves before they can go do it.”
Peter Wood discerns in the Duke undergrad culture a widening milieu of studied vulgarity. “Do you know about the baby-oil bust?’’ he asked me. He was referring to an off-campus fraternity party last winter which featured bikini-clad coeds wrestling in a plastic wading pool filled with baby oil; the party, attended by two hundred people, dispersed when neighbors summoned the police. After the lacrosse incident in the Buchanan house, many of the adults at Duke were surprised to learn that the hiring of strippers was a familiar practice. Some of the strippers that come onto the Duke campus are men, Bob Steel told me, by way of offering context. “So it’s not just men getting women.”
Wood contends that a relatively small group of social élites exert a growing influence over the broader undergraduate population. “It’s an infection that spreads out,” he says. The upper rungs of the “embedded hierarchies” cited by Keohane’s study are vigorously contended over by the élite fraternities and sororities, but the alpha partyers at Duke are the members of the men’s lacrosse team. The team is a fraternity unto itself, and is accorded the top prize of social striving: the deference of its peers. Coeds who are favored with the company of players are known as “lacrosstitutes,” a term that Wood was surprised to learn is not necessarily pejorative. A sharp-eyed campus social critic, the widely read anonymous blogger known as DukeObsrvr, summed up the men’s lacrosse team’s place in the social hierarchy this way: “Let’s not kid ourselves, what frat doesn’t hate these fuckers? The lacrostitute is a notch higher on the social scale than the ‘frat slut.’ And dammit that’s something worth fighting over.”
Peter Wood and Orin Starn were among those who believed that the lacrosse scandal represented a rare opportunity for Duke. Starn hoped that Duke would eventually pull out of Division I competition. In a conversation in late May, he told me that the first important indication of Duke’s direction would be a decision on whether or not to reinstate the lacrosse program. “I think it would be a huge mistake to go back to business as usual,” he said. “Now, what happened, or didn’t happen, I’m not sure we’ll ever know. But at the very minimum we know that we have these guys hiring strippers, a record of underage drinking, and pretty strong evidence of the use of racial slurs.”
Less than a week later, Brodhead convened a press conference, and announced that he was reinstating the lacrosse program. “I am, I know, taking a risk,” Brodhead said, in lifting the suspension of the team. He said that the reinstatement was probationary, that the players had agreed to live by a new set of rules, and their behavior would be closely monitored.
It had been exactly two months since Brodhead cancelled the season, on a day, April 5th, that he now characterized as “a day of great hysteria.” Much had happened since then. The committee examining the lacrosse culture found no evidence that team members were racist or sexist. The players were regarded by their professors, ten of whom were surveyed, to be “academically responsible students.” (The lone dissenter was Peter Wood.) The committee’s principal findings might have been crafted by the lacrosse booster club. “By all accounts, the lacrosse players are a cohesive, hard working, disciplined, and respectful athletic team,” the report said. “Their behavior on trips is described as exemplary. Players clean the team bus before disembarking. Airline personnel have complimented them for their behavior. They observe curfews. They obey the team’s no alcohol rule before games. They are respectful of people who serve the team, including bus drivers, airline personnel, trainers, the equipment manager, the team manager, and the groundskeeper. Finally, the lacrosse program has a 100% graduation rate.” As for the team’s inclination toward alcohol abuse, the report noted that, in this, the lacrosse players differed little from other Duke students.
The report also showed that Coach Pressler disciplined the team whenever he was informed of misbehavior, and had suspended two players during the 2005 N.C.A.A. tournament for having violated team discipline. The university had plainly acted precipitately in firing Pressler, and Brodhead took pains to speak favorably of him whenever his name came up. (Pressler has taken a coaching job at Bryant University, in Rhode Island, a Division II school.)
Brodhead had also reconsidered the case of Ryan McFadyen, whose e-mail about skinning strippers Brodhead had come to see “in context.” When I asked Brodhead about the e-mail this summer, he said that he would still describe it as sickening and repulsive, even though he now recognizes it as a morbid joke derived from “American Psycho.” “The trouble is,” he said, “this is a story in which everything and its opposite are true, in some measure.” McFadyen was re-admitted, and will play lacrosse for Duke next season.
When Brodhead cancelled the season, he had said that the moment was too serious to be playing games. What he meant, in part, was that Duke could not be seen to be playing games. From the start, Brodhead had been forced to navigate among several potentially hazardous interests—lacrosse parents who felt angry and abandoned by the school, dismayed alumni and donors, the agitated citizens of Durham, the clamoring press—while protecting what is known in the Allen Building as “the Duke brand.” On that fitful weekend in late March when the TV satellite trucks hit campus, the lacrosse team could be seen practicing for the Georgetown game, a scene that became an endless video loop suggesting institutional indifference. “We had to stop those pictures,” Bob Steel says. “It doesn’t mean that it’s fair, but we had to stop it. It doesn’t necessarily mean I think it was right—it just had to be done.”
The incident happened at the moment when high-school seniors were making their final decisions about which school they would attend this fall. Duke clearly took a hit, having to dip lower on its waiting list when about a hundred students who had been expected to come to Duke chose to enroll elsewhere. The university hired outside public-relations consultants, developed strategies to protect the brand, and commissioned polls measuring the damage caused by the scandal (surprisingly little, as it turned out).
The most liberating development for Brodhead and Duke was the dramatic turn in the public’s impression of the criminal case. Mike Nifong, its vocal prosecutor, won the Democratic primary race on May 2nd. Nifong had denied any political motivation in the lacrosse prosecution (“I didn’t pick the crime, I didn’t pick the time,” he told one campaign audience), but the case plainly helped him. After the election, a precinct-by-precinct study by the Vanderbilt professor Christian Grose showed that black voters helped secure Nifong’s victory.
Nifong had indicted two students—Reade Seligmann and Collin Finnerty—on the basis of photo identification, and two weeks after the election, on May 15th, he secured the indictment of a third, David Evans, who, the day before, had received a bachelor’s degree in economics from Duke. Before turning himself in and posting bond, Evans stood with his parents (his mother is Rae Evans, a Washington lobbyist and chairwoman of the board of the L.P.G.A.), his lawyers, and some of his teammates in front of the county jail and addressed the media throng. In his starched button-down oxford shirt and dark slacks, Evans looked like the preppie college boy he had recently been, but his tone, of controlled and righteous anger, suggested someone more substantive. Evans said that he and his roommates at the Buchanan house had helped the police in their search, that he had volunteered to take a polygraph test and to talk to Nifong personally, but that he had been rebuffed. “I am innocent,” he proclaimed. “Reade Seligmann is innocent. Collin Finnerty is innocent. Every member of the Duke University lacrosse team is innocent. You have all been told some fantastic lies.” It was a remarkable performance, and it shifted the tenor of the public narrative once again.
By then, Nifong had decided to go silent on the case, leaving the stage to the defense. The biggest blow to Nifong’s public case was the DNA report from the state crime laboratory in Raleigh, which found that the samples collected from the accuser did not match any of the players’. Defense lawyers immediately began to attack Nifong’s evidence, his procedures, and his impartiality.
Kirk Osborn, the attorney for Reade Seligmann, let it be known that he had visited Nifong early on to show him some exculpatory evidence, and that Nifong refused to see him. Shortly thereafter, some of that evidence became public. One or more of the players had photographed the party with a digital camera, which provided time-stamped photographs that helped to establish a time line of events. Through these pictures, and phone records, a taxi-driver’s statement, security pictures at an A.T.M., and computerized entry documentation, Osborn was able to demonstrate convincingly that Seligmann was on the phone or in a cab during much of the time when the attack allegedly took place.
Osborn and the other attorneys began filing a series of motions, effectively opening whole portions of Nifong’s case to public view. The evidence revealed that when the investigator Ben Himan first contacted the second stripper, Kim Roberts—she had made the first 911 call and was the driver of the Honda at Kroger—about the alleged rape, she called it “a crock” and said that it couldn’t have happened. According to the defense attorneys, medical records showed that the hospital personnel who treated the accuser observed no sign of anal assault, only vaginal swelling. A statement given to police by a man who had driven the woman to various appointments in the days before the party indicated that she had seen at least three different clients in private performances at hotels that weekend. The defense could attempt to attribute the swelling to the performance with a vibrator that the woman had mentioned to Himan. Accounts from police and medical personnel now showed that the accuser had offered as many as ten differing accounts of what happened that night.
In the early phase of the story, the media had profiled the accuser as a working mother and full-time college student. Now her image was steadily being tarnished. She had told a nurse on the night of the assault that she was taking the muscle relaxant Flexeril. The accuser’s family, in what was apparently meant to be a sympathetic series of reports in the magazine Essence, divulged that she had suffered a nervous breakdown last year, prompting a weeklong stay in a Raleigh hospital. Other press accounts revealed that a decade ago she’d made an earlier rape allegation that wasn’t pursued (her father now said that it was falsely made); that she’d accused her former husband of trying to kill her; and that after a tryout at a strip club she had stolen a cab and led police on a drunken chase.
It was also learned that the photo identification of the three players Nifong indicted was the result of a procedure so problematic that it may prove not to have been worth the effort. After the failure of the first two tries at getting an identification, Nifong instructed police to compile a photographic lineup consisting only of lacrosse players, and to ask the accuser if she recognized her attackers. That process (which Osborn described as “a multiple-choice test with no wrong answers”) seems to have been a violation of the Durham Police Department’s own rules.
The accuser, meanwhile, has vanished; it is possible that she is in the protective custody of the police. Her father, who had speculated that she might not be up to testifying in a criminal case, said this month that he had not seen her since June.
Brodhead reflected on all that had happened as we chatted in his office in July, and said that it brought to mind Shakespeare’s “Othello”—not for its obvious associations with interracial passions and violence but for its lesson on prejudgment. The scene at the beginning of the play, he said, was particularly instructive. Desdemona’s father hears about his daughter’s relationship with the Moor, and he sighs, “Belief of it oppresses me already.”
“He doesn’t say, ‘Oh, now I see what you’re getting at,’ ” Brodhead said. “He’s saying, ‘Now I realize that I always believed it’—‘Belief of it oppresses me already.’ It’s probably, to my mind, the greatest literary image of the action of prejudice—how a story is told to engage something in the mind that brings with it absolute certainty that derives from the nature of the stereotypes.”
He had located a clarifying point of reference in the lacrosse ordeal, and he became animated. It had been a headlong narrative, driven partly by a willingness to affirm favored certitudes about justice.
“ ‘Belief of it oppresses me already,’ you know?” he continued. “And the thing is, we actually can’t blame people for being subject to this, because it is so deeply human. And if, from day to day, we’ve seen people in the throes of this, we recognize that as a dimension of our humanity. At the same time, it really is our obligation to resist it, because, you know—truth and justice, they are cant phrases unless we try to take the trouble to make them have a reality to them. And what do truth and justice mean? Truth and justice mean something opposite from our preconceptions.”

NEW ORLEANS



August 27, 2006
The Katrina Year
A Future, Dimly Seen

Outlines Emerge for a Shaken New Orleans

By ADAM NOSSITER

At one edge of this city’s future are the extravagant visions of its boosters. Awash in federal cash, the New Orleans they dream of will be an arts-infused mecca for youthful risk-takers, a boomtown where entrepreneurs can repair to cool French Quarter bars in ancient buildings after a hard day of deal making.
At the other extreme are the gloomy predictions of the pessimists. New Orleans will be Detroit, they say, a sickly urban wasteland abandoned by the middle class. A moldering core will be surrounded by miles of vacant houses, with wide-open neighborhoods roamed by drug dealers and other criminals. The new New Orleans will be merely a grim amplification of its present unpromising self, the pessimists say.
Somewhere between these unrealistic visions lies a glimpse of the city’s real future a year after Hurricane Katrina, say many planners, demographers and others here who have been deeply involved in rebuilding. Like a half-completed drawing in a child’s coloring book, the picture is starting to fill in. There are shadows and firmer outlines, a few promising, some of them menacing.
New Orleans will almost certainly be smaller than it was. Repopulation has slowed to a trickle, leaving the city with well under half its prestorm population of 460,000. It will probably have fewer poor people; its housing projects remain essentially closed, and many poorer neighborhoods are still devastated. With inexpensive housing scarce and not being built, partly because of the paralysis in recovery planning, it is easier for the middle class than the poor to return.
New Orleans, the demographers think, has begun to shrink back to its historic dimensions, the ones that existed before a post-World War II expansion through the back swamps, and the ones that visitors know best. Life in the smaller city will be concentrated in the mostly middle-class districts closer to the Mississippi River that bounced back after the storm. Some of these districts were unaffected by flooding; already they bustle with commerce.
No area is officially off the table for redevelopment. But the silence and emptiness of outlying neighborhoods near Lake Pontchartrain and in east New Orleans appear to be harbingers of the future.
“I think people will get discouraged, and some of those areas will not be rebuilt,” said Pres Kabacoff, a leading developer here.
Within these more concentrated neighborhoods, it will be somewhat whiter, though still mostly black over all. The electorate was 57 percent black in last spring’s mayoral runoff; before the storm it was typically in the low 60’s.
Neighborhoods ruined now will probably shrivel further, planning experts say.
The Lower Ninth Ward, still a barren wasteland, is unlikely to be rebuilt anytime soon, if at all. Gentilly, a classic 1920’s and 30’s New Orleans neighborhood of Arts and Crafts-style stucco houses with wide overhanging eaves, is coming back only fitfully, with a few trailers visible in front yards of once-flooded houses. Tremé, with its 19th-century Creole cottages and shotgun houses, across Rampart Street from the French Quarter, is being reclaimed, but abandonment alternates with revival, as is the case throughout the city.
These uncertain indicators yield to a more hopeful one: a wave of citizen activism in the wake of the storm that is chipping away at some of this city’s unhealthy institutions. It has already toppled some of the old structures that helped cement prestorm New Orleans in poverty and despair.
The schools, a dysfunctional catastrophe before the storm, have been removed from the control of a corrupt district office; just under two-thirds are now in the hands of parents and community activists as charter schools. (Students not admitted to charters, however, will have to attend a state-run school district rife with problems.)
The City Council is under the influence of impatient newcomers pledging reform and pushing for tighter ethics. They are threatening to dismantle a feudal means of resolving everyday planning disputes, long discarded elsewhere. The crippling fiscal structure, long a hurdle to raising adequate revenue in this impoverished city, is under assault. Voters will soon decide whether to throw out the balkanized system of seven district property assessors.
‘There’s a Lot of Uncertainty’
With government a light or invisible presence since the storm, citizens have taken matters into their own hands, whether to overhaul institutions, clean streets or resurrect the city’s parks. If there is to be a new New Orleans, its seeds are to be found in this low-intensity citizens’ revolution that has some people here credibly claiming to find promise among the ruins.
“There was a wall against ideas in New Orleans for years,” said William Borah, a veteran civic activist who helped defeat a proposed riverfront expressway here in the mid-1960’s. “That wall has been broken down.”
Still, under present conditions, hope requires faith. “Over all, it’s scary,” said Tim Williamson of the Idea Village, a local nonprofit organization that supports small business. “There’s a lot of uncertainty.”
Oppressed by the midsummer heat, this city is now traversing a bleak trough: the planners are still squabbling a year after the storm, forests of uncut weeds grow in the medians, and measurable progress is difficult to detect. St. Charles Avenue on a summer evening has an eerily empty feel; one plausible recent population count, based on Postal Service data, put the figure at 171,000, well below City Hall’s claim of 250,000. The population is thought to be roughly what it was around 1880.
From the living zone near the river, a trip north of any distance is sobering: blocks of sagging houses not so much empty as dead, and heaps of rubble and garbage with dogs and rats among them. At odd intervals, the occasional householder can be spotted on a porch, looking out with a furrowed brow, trying to make a go of it in the ruins.
New Orleans now, often rudderless, filthy and still deeply scarred by the storm, is hemorrhaging some of the people it can least afford to lose. In the professional classes, nearly half the doctors and three-fourths of the psychiatrists have left, the largest synagogue says its congregation is down by more than 10 percent, and a big local moving company reports a “mass evacuation.”
Tens of thousands in the African-American working-class backbone remain unable to return. They have been replaced by hundreds of Hispanic workers who have done much of the heavy lifting in the reconstruction, and live in rough conditions. In the meantime, the only thriving industry is the back-street drug trade, pessimists note.
The outside world is scared by New Orleans. Banks, for instance, are insisting on unusually high collateral in real estate deals, and for good reason, given a homicide rate that is double its prehurricane level and no guarantee that neighborhoods will return to life. Basic services — water, electricity, garbage pickup — are intermittent.
“Look at what we’re getting in terms of services,” said Janet Howard, of the Bureau of Governmental Research, an independent nonprofit group in New Orleans. “It’s basically a nonfunctioning city.”
City Hall, meanwhile, has settled back into its habitual easygoing rhythms; a well-placed insider there reported, with alarm, no sense of urgency among its officials. Mayor C. Ray Nagin was recently set to attend an opening at a French Quarter gallery of an exhibit of photographs — of himself, taken by his personal photographer. A public outcry this month forced him to cancel plans for a fireworks display and a “comedy show” to commemorate Hurricane Katrina’s first anniversary tomorrow.
Lacking a Master Plan
With little direction from the top, long-term planning for the city’s future remains incoherent. A year after the storm, there are no plans for large-scale infrastructure and redevelopment in the city. One group of official planners took the step of attacking a second group in a full-page advertisement in The Times-Picayune this month, even warning citizens to stay away from its rivals.
The absence of a plan has forced developers, who might otherwise be building housing for the displaced, to the sidelines. “The developers, they want to know what the plan is,” said Andy Kopplin, executive director of the Louisiana Recovery Authority.
The latest notion, after earlier false or incomplete starts, is to turn planning over to the citizens, allowing neighborhoods to choose from a list of planners, with the hope that at the end it can all be folded into one giant framework. It was pushed by state officials holding the redevelopment purse strings who grew impatient this summer with the city’s abortive planning efforts.
In the neighborhoods, New Orleanians are skeptical. “Why does it seem that every time someone swoops in to help us, it winds up being a mess?” asked Jenel Hazlett, of the Northwest Carrollton Civic Association, a neighborhood group. “They keep moving the players around, and we as citizens keep getting jerked around.”
Like others, Ms. Hazlett professes bewilderment at a planning process, now stretching out for nearly a year, that involves an ever-shifting cast of characters, embraces and then swiftly rejects differing visions, and calls for repeated consultations with the citizens — and still produces no plan.
The longer the city is without a master plan, the shakier the fate of the ruined neighborhoods, some planners say. The need will become even greater in a few days, when $7.5 billion in federal housing aid begins putting up to $150,000 in the hands of thousands of homeowners hoping to rebuild.
“It is highly probable that there would be many neighborhoods, with block after block of one or two houses restored, surrounded by vacant abandoned houses, no police stations, no services, low water pressure, an unsafe and unhealthy environment,” said John McIlwain, a senior planner at the Urban Land Institute, the Washington research group whose early plan for a shrunken city was rejected by the politicians here.
Publicly, Mr. Nagin insists the city will come back stronger than ever, saying its repopulation is ahead of schedule even while more cautious demographers suggest it is lagging. Rejecting the idea that New Orleans must shrink, he says City Hall will not dictate where citizens can live.
“You can’t wait on government,” Mr. Nagin said at a news conference here this week. “You have to figure out a way to partner with your neighbors.”
Mr. Nagin has endorsed the current version of the planning process, in which neighborhoods map out their own future — so far only a tiny handful of the city’s 73 districts have done so — and the individual plans eventually merge into a larger one. This week the mayor blamed unnamed “powers that be” for a flow of recovery dollars he deemed “painfully slow.”
A Fervor for Change
The one constant is the determination of people to rebuild. For good and ill, it has been demonstrated over and over since the earliest days after the catastrophe. It was present last month at a meeting of citizens in Broadmoor, packed into a church for the unveiling of the neighborhood’s reconstruction plan.
“Nobody is going to tell Broadmoor what to do except the people who live and work in Broadmoor!” one organizer, Harold Roark, said to great applause. Yet the citizens had to walk past piles of fly-covered garbage bags spilling out their contents just to enter the building.
The mix of reaching and realism was typical of present-day New Orleans. Crime, blight, abandonment: none of it was ignored. At the same time there was a call for “an educational and cultural corridor” in the neighborhood’s heart, a scene about as easy to imagine in that battered district as Versailles in the middle of the grimy 4200 block of South Galvez Street in the Broadmoor neighborhood.
Yet reaching high is critical to the collective survival strategy being worked out here. It is a way of pushing beyond the often grim quotidian reality. The psychology was evident in the grass-roots-driven insurgency that put a handful of self-proclaimed reformers on the seven-member City Council in last spring’s elections. Three incumbents were defeated.
Two newcomers, in particular, have already stirred things up, asking probing questions during sleepy Council meetings where rhetoric has traditionally predominated over substance. Shelley Midura, a former Foreign Service officer, has pushed for an inspector general and a board of ethics in City Hall, to combat endemic corruption. A majority appears to be in favor.
Stacy Head, a youthful lawyer also elected this spring, has been as high-profile in her central New Orleans district as the woman she defeated was invisible. (The incumbent she defeated, a protégé of the scandal-plagued Representative William J. Jefferson, is herself under federal investigation.) Ms. Head is now a ubiquitous presence in the city, asking questions of citizens and, unusually for a New Orleans politician, appearing at crime scenes, fires and community meetings.
A big test will come soon when the Council considers overhauling the day-to-day planning process, taking most decisions out of political hands — their own — and putting them under the purview of professional planners. That change was accomplished a century ago in most other places. But the old system has held on in New Orleans, with serious implications for orderly reconstruction of the ruined neighborhoods and equitable preservation of those that are not.
“I don’t want this power,” Ms. Head said. “This is horrible. I don’t like that responsibility. I think it should lie with the planners.”
Ms. Midura said she intended to champion the proposal, made by the Bureau of Governmental Research, and so far had not heard opposition to it.
Mr. Borah, the citizen activist, said, “Unless you get that right, nothing else is going to work.”
For years, a similar argument has been made about the disastrous public schools here, the worst performing in a state of underachievers, relentlessly preyed on by a corrupt district office. Hurricane Katrina upended the school landscape. Of 56 schools set to open this summer — there were 128 before the storm — 34 will be self-governing charter schools, a development that has given hope to parents and principals for the first time in years.
Parents and teachers throughout New Orleans worked feverishly to get a handful of schools up and running earlier this year; at the charters, parents control the money, taking charge of contracts, an area ripe for abuse when they were under school district control. Beneath the stagnant surface of daily life here, so discouraging to residents and astonishing to visitors, there is unmistakable pressure for change.
“I see more movement in a positive direction than I had seen for many years before Katrina,” said Una Anderson, executive director of the New Orleans Neighborhood Development Collaborative, which is focused on housing, and long a reform member of the school board.
Whether this movement will be enough to stave off the pessimists’ grim perspective is uncertain. Repeatedly, observers in and out of the city said the present juncture was critical to the city’s future. If the ferment stops, if the hopes of citizens dry up, the outlook for New Orleans could be dire indeed.

26.8.06

STONES


Indeed, we all must age, but none quite so gracefully as Charlie Watts.

http://www.spectator.co.uk/online-edition/columnists/24751/rory-knight-bruce.thtml

JOHN BETJEMAN

His one-hundreth birthday, next week.

And all the time the waves, the waves, the waves Chase, intersect and flatten on the sand As they have done for centuries, as they will … When England is not England, when mankind Has blown himself to pieces. Still the sea, Consolingly disastrous, will return While the strange starfish, hugely magnified, Waits in the jewelled basin of a pool."

25.8.06

After a few minutes waiting on the Beijing street outside what should have been the Cantonese restaurant recommended by Hung Huang for lunch, my phone rings. “It doesn’t exist, does it?” she laughs, a little ruefully, as it had been in turn recommended to her by the listings editor at one of the magazines she owns, a Chinese version of Time Out. I never quite worked out whether the restaurant had been knocked down or simply not built. After all, either can happen in the blink of an eye in today’s China. Pressed for time, we take the easy option and agree to meet at the St Regis Hotel, just across the road in the city’s embassy district.

Hung (pronounced “Hong”) Huang is sometimes labelled as China’s Oprah Winfrey, a description that both flatters and underestimates her. She has an agony column in her listings magazine; an internet blog offering advice that is a little racy - at least by local standards; an expanding stable of magazines; and a television show, all cleverly leveraged by her own high-profile personality.
But she has neither the power nor the income of a US talkshow host. Hung stands out from the crowd for other reasons: her outspokenness in a country where stiff self-censorship in public is the norm on most issues, and her political pedigree.
Hung’s mother was an interpreter for Mao Zedong and visiting US dignitaries, and also served for a short time as his English teacher. Her stepfather was China’s foreign minister. In the mid-1970s, when overseas travel was impossible for ordinary Chinese, Hung went to high school in the US and later graduated with a political science degree from Vassar College, New York. Such political connections offer privilege in China, and, as she was to discover later, a touch of danger.
In recent months, Hung, 45, has also adopted a baby, which allows both of us to reflect on entering the St Regis what a paradise China is for children. Bring your kid into restaurants and hotels in Beijing and you won’t be greeted by the grimly tightened sphincters that welcome you in the west. “The nice thing about China is that it is fairly relaxed,” she says. “It doesn’t have that many sort of etiquettes you have to follow, although they are superficially creating them now.”
I remind her of the etiquette instructions for China’s aspiring yuppies that now help to fill magazines like her own. Yes, she laughs. “Otherwise how are you going to sell all those luxury products? You only need chopsticks in China. Two sticks, and you can eat. How can you sell cutlery and butter knives?”
When we are seated, I ask her to explain the paradox of the luxury-goods explosion in China, a country where ostentatious displays of wealth can attract suspicion and envy, not to say unwanted political attention during periodic anti-corruption campaigns.
“The Chinese want to display [their wealth] to some people and conceal it to others. They want to conceal it to the tax authorities but they definitely want to display it to the rest of world,” she says.
“It is the part of the Chinese that is really reputation-oriented. We want to have face in everything. We want people to really acknowledge our accomplishments. But by nature, the Chinese are conspiratorial. They don’t like to show their cards. They want to keep something hidden.”
Hung herself keeps little hidden, a quality that has earned her the familiar media tag of “provocative”. “China finds me to be provocative, but I don’t think I am provocative. I think no one in the west would find me provocative,” she says. “I have this American education, so there were a few things I take for granted, like why can’t I talk about sexual issues just because I am a woman. It never occurred to me that this would cause outrage in this country.”
But surely you realise it now? “I do,” she smiles. “I am getting the hang of it.”
Neither of us is feeling very provocative with the menu. She orders Hainan chicken rice, I opt for Sichuan fried chicken - both standard Chinese fare in any part of the world, let alone China itself.
Hung’s outspokenness tends to divide her (mainly female) audience. Some scorn her, but she says most find her refreshing, especially since they have long been told “to be considerate of everybody else except yourself”. This surely doesn’t apply to someone with a mother as strong as hers? Hung reckons it was in fact the long periods she spent away from her mother that made her self-reliant and also left her lacking some traditional Chinese reticence. It is something that worries her mother, who still lives in Beijing.
“She knows I have a big mouth,” Hung says. “I remember the first time I gave an interview on television after my book (My Abnormal Life as a Publisher) came out, and they shot a part with my boyfriend, partner, or whatever you want to call him. The anchor said: ‘Are you guys married?’ And we said: ‘No.’ And my mom kind of freaked out. She’s like, you don’t understand, you don’t go into the media and claim that you are living with a man. And honestly it never even occurred to me.”
Her mother can always see the “downside” of things, an instinct nurtured by navigating through the murderous cycles of Maoist politics. She was put under house arrest at one stage in the late 1970s after Mao died, but survived. Hung never met Mao and says she was happy when he gave up taking language lessons. “That would be a rather difficult task for my mum, trying to teach an 80-year-old dictator how to speak English.”
From this perspective, she thinks Chinese politics has changed a great deal, even if there is still one-party rule. “We went from this emperor-like figure like Mao to [a situation] where people are used to a change in government every five years. It’s not a coup. It’s not a leader falling out of the sky and announcing a succession. It was one of the biggest problems in China, that every time there was a succession people expected blood in the streets or a conspiracy.”
Even Hung, I am surprised to find, is a trenchant critic of how China is portrayed in the west and she complains that when she is overseas, she still gets asked how she got out of the country. “Well,” she replies, in a mock silly voice, “you apply for a passport and you stand in line for a US visa for hours and hours and hours and then you buy a plane ticket.”
Hung says the country’s pervasive censorship regime does not affect her lifestyle-centred magazines very much. “You do have to talk to [the censors] a little bit, like when we started a gay-and- lesbian section. We had to work around the stigma of that,” she says. She makes it clear that we should not expect too much overt change. It is not in the DNA of the country, in her view, or perhaps more accurately, of the civilisation. “A lot of [the restrictions are] cultural. Chinese are not adventurous. It is very difficult to change the way people think.”
Hung identifies trends these days, not in politics, but in the market research she conducts for her media titles. What she finds there is, in many respects, anything but conservative. When you segment the population, she says, the older they are, the more they think the government is responsible for them. The younger they are, the less they care. “A lot of rich people are not concerned about government. They are concerned about poor people kidnapping their children. Four to five years ago, their concerns were policy-oriented, like tax. Can I take my money out of the country? Now it is crime. It is a wealth problem.”
Mid-mouthful, we are interrupted by a French media executive who has shuffled over from an adjoining table to confirm an appointment next week. It turns out that his company has just poached one of her editors, without realising the contract contained a non-compete clause. After he leaves, Hung agrees that at times like this, western-style rule of law comes in handy in China. “It’s simple. Just buy out her contract.”
Still, it is not the turnover of editors that concerns her. It is the speed with which her customer profile is altering. “People change so quickly that the minute you complete one study - it might take eight months - and digest and analyse it and put it into print, people have moved on to the next thing.”
The market in celebrities is a case in point. In the past, celebrities were treated politely, until readers discovered the wonders of the “yellow press”.
“Now you can tell people how they are getting divorced, how they had an affair, and there was a lawsuit and illegitimate children,” she says. “Six years ago, you couldn’t report all this because it was supposed to be a negative type of thing - the country still felt an ownership of its celebrities.
“Now it is as if the country has said: ‘We have got to have some cannon fodder for laughter and appeasement of the crowds - a kind of feelgood factor. So trash them!’”
Hung says the idea of providing a service to readers, which I suppose includes rubbishing the reputations of celebrities, is entirely new in China. “The Chinese media have never been responsible to their readers in their entire existence. They were first responsible to the government; and then the great commercialisation came, and everyone rushed and became responsible to their advertisers.
“It is finally getting to be an exciting time to be in the media. I think you are now going to see a cultural change, after the material changes in the landscape and buildings and housing. Now we are getting to the interesting part where we are changing people’s minds.”
It seems like an oddly Orwellian note to end on, but neither of us can think of how to take the conversation further after that line. We pay the bill and leave.
Garden Court, St Regis, Beijing
1 x Hainan chicken rice
1 x Sichuan fried chicken
1 x Perrier
1 x Coke
2 x coffees
Total: Rmb352.50