About Me

My photo
New Orleans, Louisiana, United States
Admire John McPhee, Bill Bryson, David Remnick, Thomas Merton, Richard Rohr and James Martin (and most open and curious minds)

31.10.15

Saints and Soul-Caking | History Today

Saints and Soul-Caking | History Today



Snap-Apple Night (1832) by Daniel Maclise. Depicts apple bobbing and divination games at a Halloween party in Blarney, Ireland.

President Obama & Marilynne Robinson: A Conversation—II by Barack Obama and Marilynne Robinson | The New York Review of Books

President Obama & Marilynne Robinson: A Conversation—II by Barack Obama and Marilynne Robinson | The New York Review of Books



obama_1-111915.jpg

Paris Was Wild, Once | The New Republic

Paris Was Wild, Once | The New Republic

The History of the Yew Tree, “The Tree of the Dead”

The History of the Yew Tree, “The Tree of the Dead”



Pope Francis, Ignatius Loyola, and Positive Psychology

Pope Francis, Ignatius Loyola, and Positive Psychology



St. Ignatius, founder of psychology?

On the Road with Lafayette | American Libraries Magazine

On the Road with Lafayette | American Libraries Magazine



Sarah Vowell. Photo: Bennett Miller

Visualizing St. Ignatius' Spiritual Journey

Visualizing St. Ignatius' Spiritual Journey



Artist Sammy Chong, SJ

30.10.15

First World War sketches by Winnie the Pooh illustrator discovered in trunk - Telegraph

First World War sketches by Winnie the Pooh illustrator discovered in trunk - Telegraph



First World War sketches by Winnie the Pooh illustrator discovered in trunk

E H Shepard documented his time in the trenches through a serious of caricatures which had been locked away for 100 years

487
250
0
1
738
Email
A sketch by E H Shepard
A sketch by E H Shepard  Photo: BNPS/Howard Coster
He has delighted generations of children with his charming drawings of Winnie the Pooh, Piglet Eeyore and Tigger.
Now it has emerged that before he found fame as A A Milne’s illustrator, E H Shepard used his artistic talent to document his time in the trenches during the First World War through a series of humorous caricatures.
The lost sketches, which were discovered in a trunk that lay untouched for 100 years, depict his experiences in some of the bloodiest battles on the Western Front as a captain in the Royal Garrison Artillery.
Sketch showing the devastation of Zillebeke village in Belgium with Passchandaele ridge in the background. Dated November 1917Sketch showing the devastation of Zillebeke village in Belgium with Passchandaele ridge in the background. Dated November 1917  Photo: BNPS
Many sketches of life in the trenches show Shepard's upbeat humour, poking fun not only at his enemies, but also at the pompousness of his commanders and the other Tommies.
However, as the war dragged on some drawings take on a more serious tone. One, simply called 'Complete Desolation', captures the stark landscape of the Somme in black and white.
When his only brother Cyril was killed at the Somme near to where he was stationed, Shepard sent drawings of the grave home to Cyril's widow and to their sister, Ethel.
Shell types and fuse designs Shepard drew in his pocketbook, 1917Shell types and fuse designs Shepard drew in his pocketbook, 1917  Photo: BNPS
Shepard was 35 when war broke out and he served from 1916 to 1918 at the Somme, Arras, Ypres and Passchendaele.
While acting as Captain, he was awarded the Military Cross for his service at the Battle of Passchendaele. By the end of the war, he had achieved the rank of major.
It was feared that Shepard's original wartime sketches had been lost when archivists at the Shepard Trust, custodians of his work, could not find any from that era.
Self portrait sketched at some point during Shepard's time on the frontline but signed and dated February 5, 1974Self portrait sketched at some point during Shepard's time on the frontline but signed and dated February 5, 1974  Photo: BNPS
However, researchers eventually found the trunk which Shepard had filled with all his WWI mementoes including unpublished drawings, watercolours and preparatory sketches.
The box, untouched since Shepard's return to England in 1919, also contained his personal belongings and included his artist tools and uniform.
It also included a menu from a hotel in Milan from a meal that Shepard is thought to have shared with American writer Ernest Hemingway whom he met at a military hospital.
The collection has now been published for the first time in a new book called Shepard's War, written by James Campbell who runs the Shepard Trust and whose mother-in-law is Shepard's granddaughter.
A watercolour showing the view from Shepard's dugout at the Somme, 1916A watercolour showing the view from Shepard's dugout at the Somme, 1916  Photo: BNPS
Mr Campbell, from Long Wittenham near Abingdon, Oxfordshire, said that he was approached by researchers who wanted use some of Shepard’s sketches of the trenches for the centenary of the First World War.
"We found in our own private archive a large box which appeared not to have been opened in almost 100 years"
James Campbell, who runs the Shepard Trust
"To our astonishment we found that we didn't seem to have anything from his time in the trenches whatsoever, which was very odd,” he said.
"Then we found in our own private archive a large box which appeared not to have been opened in almost 100 years.
"Inside it was the most incredible material from the First World War - not only did it contain all his illustrations, cartoons, paintings and illustrations but also his uniform, his briefcase, his pocketbook and his artist's material.
"One of the striking things about Shepard's drawings was that he was able to find humour in even the most grim of situations.
A watercolour of a French biplane that officially had a 'bad landing' but had in fact been shot down by friendly fire. The Somme, 1916A watercolour of a French biplane that officially had a 'bad landing' but had in fact been shot down by friendly fire. The Somme, 1916  Photo: BNPS
"He obviously took a pop at the Germans but also sends up everyone else too including the British commanders as well as the standard Tommies, the Irish and the Italians. No-one was safe from his mockery but the humour wasn't malicious.”
While Shepard was a soldier, he also worked commercially for Punch magazine and other publications.
In 1926, eight years after First World War had ended, Shepard illustrated his first Winnie the Pooh book after a colleague at Punch recommended him to A.A. Milne.
He went on to illustrate all four volumes of Milne's Winnie the Pooh stories, as well as Kenneth Grahame's Wind in the Willows.
Londoner Shepard was made an OBE in 1972 in recognition of his illustrations and died on March 24, 1976, aged 96.
Shepard's War is published by Michael O'Mara Books and costs £25.

First World War sketches by Winnie the Pooh illustrator discovered in trunk - Telegraph

First World War sketches by Winnie the Pooh illustrator discovered in trunk - Telegraph



A sketch by E H Shepard

By The Way, Mozart Had An Equally Talented Sister

By The Way, Mozart Had An Equally Talented Sister



<span class='image-component__caption' itemprop="caption">Leopold Mozart with his children Wolfgang and Nannerl at the piano, the portrait of their deceased mother on the wall. Oil on Canvas by Johann Nepomuk Della Croce, around 1780.</span>

POTUSLIT

NEGATIVEPOSITIVESIMPLECOMPLEXSirens of TitanA Tale of Two CitiesSense andSensibilityThe OdysseyThe Fault in OurStarsBossypantsThe Forever WarHoneybee: LessonsFrom an AccidentalBeekeeperPeter PanThe Divine Comedy:ParadiseUlyssesThe AeneidEnder's GameDraculaTwenty ThousandLeagues Under TheSeaMeditationsMaster andCommanderDublinersRoughing ItOliver TwistHans ChristianAndersen's FairyTalesThe CanterburyTalesThe Romance of LustThe MoonstoneThe Kama SutraThe Adventures ofSherlock HolmesWaldenBird by BirdYouthThe Last of theMohicansThe TrialJust So StoriesPlato's RepublicNorthanger AbbeyA Christmas CarolLes MiserablesEve's DiaryThe Life-ChangingMagic of Tidying UpEncyclopedia ofNeedleworkTess of theD'UrbervillesEmmaAdventures ofHuckleberry FinnThe Wind in theWillowsThe Confessions ofSt. AugustineGreat ExpectationsPride and PrejudiceLife on theMississippiThe YellowWallpaperThe Importance ofBeing EarnestSiddharthaAnna KareninaA Room With a ViewTreasure IslandAnne of Green GablesMansfield ParkRendezvous withRamaPersuasionThree Men in a BoatThe Arabian NightsThe Pursuit of GodThe Sign of the FourThe Legends ofKing ArthurThe Double HelixAround the World in80 DaysReady Player OneThe Return ofSherlock HolmesJourney to theCenter of the EarthThe MartianBeowulfDon QuixoteCandideThe WonderfulWizard of OzMiddlemarch1Q84CLINTONKASICHRUBIOPAULCRUZHUCKABEEO’MALLEYCARSONCHRISTIEFIORINABUSHTRUMPSANDERS
Donald Trump falls somewhere between “Adventures of Huckleberry Finn” and the fairy tales of Hans Christian Andersen. Ben Carson resembles A.W. Tozer’s “The Pursuit of God.” Marco Rubio has a lot in common with “Journey to the Center of the Earth,” while Jeb Bush is a little simpler and sunnier — closer to “The Life-Changing Magic of Tidying Up,” Marie Kondo’s tribute to decluttering.
These comparisons aren’t about the candidates’ policy platforms. Mr. Trump has not advocated a great rafting trip down the Mississippi, at least not yet. They are instead based on an analysis of the candidates’ speaking styles in this year’s presidential debates, measuring both the complexity of their speech and the positivity (or negativity) of the words they use. To help make their speaking styles concrete, we compared them with a range of books, drawn from the most commonly downloaded titles on Project Gutenberg and supplemented with selections from our personal libraries.
Mr. Trump stands out as the simplest speaker by far and also one of the more positive. Though he is highly critical of his opponents and often rails against how terrible the world is today, he spends more time talking about how great America will be under a Trump administration. In the opposite corner of the matrix is Bernie Sanders, who prefers both complex language and dire descriptions.
This analysis, based on a widely used academic approach, has its limitations, of course. But it also adds something important to the understanding of the campaign. Most voters don’t actually dive into position papers and choose the candidate whose health care plan hews closest to their own views. Voters are influenced heavily by style.
In a campaign in which analysts have been surprised by the appeal of outsiders, it’s worth noting that the two most prominent outsiders — Mr. Trump and Mr. Carson — stand out for the positivity of their language. (So does Mr. Bush, but he has had other problems on the campaign trail.) By contrast, Rand Paul, the Kentucky senator whom some pundits expected to be a force but has attracted little support, tends to rely on negative language to express his ideas — even more so than Mr. Sanders.
And although Mr. Trump’s campaign appears to have hit its first rough patch, he remains near the top of the polls — and remains by far the simplest speaker of the candidates. “He speaks like a businessman,” said Frank Luntz, the Republican consultant known for his insight into the importance of political language. “Businesspeople do not use commas — they speak in short bursts. Lawyers use commas.”
Sharon Jarvis, a professor at the University of Texas who studies political communications, agreed. “Not only is he using brevity to make his case, but he uses brevity as a pivot to avoid responding to others,” she said. “In a sense it’s his offense and his defense at the same time.”
One striking aspect of the analysis is that the Republican candidates are debating in much simpler patterns than the Democrats. The only Republican who uses language as complex as the Democrats — slightly more complex, in fact — is Ted Cruz, a former solicitor general and law professor. His employment history shows in his debate rhetoric, with a level of complexity similar to “Beowulf.” (The speech patterns of President Obama in the 2008 debates were equally complex.) Hillary Rodham Clinton and Mr. Sanders have similar levels of complexity but are on opposite ends of the positivity spectrum: She is even more positive than Mr. Trump.
The complexity gap between the parties may reflect their ideologies.Research on statements from senators dating to the 1980s, by the psychology professor Phil Tetlock, suggests that Republicans tend to be drawn to “cognitive simplicity.” Where liberals prefer contingency and context, conservatives prefer certainty and clarity. This gap is most evident in the debating style of Mr. Trump. “Trump has the language of the board room, the language of entertainment,” Ms. Jarvis said. “He really speaks to the conservative base who would prefer not to hear complex arguments.”
There are also structural reasons for Republican candidates to embrace more simplified rhetoric. With 10 candidates on stage fighting for airtime, there’s increased pressure to speak in sound bites to get noticed. “The zinger, the thing that cuts through, that’s what’s going to work,” said Elvin Lim, a professor at the National University of Singapore and author of “The Anti-Intellectual Presidency.” “Candidates don’t have the luxury of thinking about the rhetoric of governance.”
To conduct the analysis, we used an index called the Simple Measure of Gobbledygook, or SMOG for short, developed by the psychologist G. Harry McLaughlin in the 1960s, and measured each candidate’s language in this year’s presidential debates. The formula is based on the number of words of three syllables or more you use per sentence. This means you’ll tend to get a higher score if your sentences run longer, or for if you use a lot of very big words.
It’s not a perfect gauge of complexity — books can use short sentences and small words and still contain complex language — but it’s a decent approximation. It’s also important to make a distinction between language complexity and the complexity of the underlying ideas. Nonetheless, this chart provides a rough guide to where the candidates are trying to place themselves in the debates and in the race for the presidency.
Below, a collection of candidates and their most similar books.
Jeb Bush
“The Life-Changing Magic of Tidying Up”
 
Mr. Bush’s campaign has struggled, but in the two Republican debates this year his language has been the most positive of any candidate other than John Kasich. Of all the books in our database, his language is closest in style to "The Life-Changing Magic of Tidying Up," the best-selling guide to decluttering your home.
Ben Carson
“The Pursuit of God”
 
In the two Republican debates thus far, Mr. Carson has landed roughly in the middle of the pack: simpler than Mr. Cruz, more complex than Mr. Trump. Perhaps fitting for someone who has made his faith a cornerstone of his campaign, in our corpus, his rhetoric lands closest to "The Pursuit of God," a classic work of Christian literature.
Hillary Clinton
“Persuasion”
 
With much of the party apparatus lining up behind her, it has been easier for Mrs. Clinton to rely more on positive language. In the Democratic debate, the only candidate to use more positive rhetoric was Lincoln Chafee, who has since dropped out of the race.
Ted Cruz
“Beowulf”
 
Mr. Cruz’s debate style is much more complicated than that of his fellow Republican candidates, close to works like Beowulf and Don Quixote. The candidate whose debate rhetoric Mr. Cruz most resembles in terms of complexity and positivity is a fellow Harvard Law alumnus: Barack Obama in the 2008 debates.
Marco Rubio
“Journey to the Center of the Earth”
 
Mr. Luntz said he wouldn’t change a word of Mr. Rubio’s rhetoric, which is slightly more complicated than the typical Republican's. “On paper, Rubio delivers the most substantial, detailed and comprehensive statement of any candidate,” Luntz said. His problem “is that he does it so fast that it loses some of its gravitas.”
Bernie Sanders
“Around the World in 80 Days”
 
Mr. Sanders’s language has tended to be more negative, in contrast with Mrs. Clinton. While the content of his speech hasn't been negative — focusing on what he would do as president, rather than the flaws in his opponents — he often expresses his ideas using somewhat more negative words, closest in tone and complexity to the translation of Jules Verne’s “Around the World in 80 Days.”
Donald Trump
“The Legends of King Arthur”
 
No candidate uses simpler language than Mr. Trump, whose average sentence is just 12 words long. Some examples include:
“I wrote ‘The Art of the Deal.’ ”
“Obviously, I’m doing pretty well.”
“I am totally in favor of vaccines.”