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New Orleans, Louisiana, United States
Admire John McPhee, Bill Bryson, David Remnick, Thomas Merton, Richard Rohr and James Martin (and most open and curious minds)

12.1.07

Pan's Labyrinth

Every now and then, a movie comes along that is so extraordinary -- so breathtaking in its artistic ambition, so technically accomplished, so morally expansive, so fully realized -- that it defies the usual critical blather. Just see it, you want to tell readers. See it, and celebrate that rare occasion when a director has the audacity to commit cinema.

Such is the case with "Pan's Labyrinth," Guillermo Del Toro's visionary parable that would mark the zenith of the 42-year-old filmmaker's career were he not still so young. A visually dazzling fairy tale set in Franco-era Spain, this meditation on the costs and limits of totalitarianism combines the Gothic fantasy that has been Del Toro's signature -- from his debut, "Cronos," through comic book adaptations such as "Blade II" and "Hellboy" -- with the themes and setting of his 2001 historical drama, "The Devil's Backbone."

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