Ian McEwan
For all the storytelling confidence of scientists who try to uncover the biological roots of personal emotions and social beliefs, McEwan keeps faith in the special tasks of art. "I hold to the view that novelists can go to places that might be parallel to a scientific investigation, and can never really be replaced by it: the investigation into our natures; our condition; what we're like in specific circumstances." On Chesil Beach, it strikes me, shows at its infinitely sad conclusion an example of self-punishing "negative altruism" at work. Here, a vengeful righteousness that wrecks the "injured" party takes shape not in the colour-coded neural maps of MRI - but through a vigilant writer's heartbreaking empathy with the twisted feelings of a child in its time.
If human communication and solidarity can founder so totally in this novel's little pool of fear and frustration, what are its prospects in the great ocean of social behaviour? We talk of the carbon-cutting, resource-saving sacrifices this generation may have to make on behalf of its successors, and McEwan comments that such long-term altruism "does go against the grain a bit". All the same, he adds: "I cheer myself up with the thought of medieval cathedral builders, who built for the future - or 18th-century tree-planters, who planted sapling oaks which they would never enjoy. Here, it's much more dire; but we're bound to think of our children, or at least our grandchildren.
"It is difficult to do favours to people you have never met," he says. "But we give money to Oxfam, to charities, to victims of the tsunami and so forth. These are not people who are ever going to repay those favours, or even know who bestowed them." Unlike his characters, doomed to a kind of soul-extinction in their solitude, McEwan believes in making the last-ditch gesture that might save a world. "The worst fate would be to conclude that there's nothing we can do about this, and so let's party to the end."
'On Chesil Beach' is published by Jonathan Cape (£12.99)
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