
Abstract painting is back. True, it never really went away, but it had been shunted aside by the vagaries of time and fashion. Abstraction was attacked for being old media, played out, new-idea stunted, and out of sync with contemporary life and thought—as well as for being decorative and solipsistic. While abstraction persisted in Europe and even Asia, it became a sidebar to the New York art scene, which was flooded, paradoxically, with a technologically sophisticated assortment of new-media works, along with an array of updated conventional representational paintings.
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